There is a cruelty in things that survive impacts. The fragments were tiny witnesses to an impossible velocity, to a passage that took them through emptiness and spit them out on a planet loud with human consequence. To touch them was to accept a catalog of refusals: the atmosphere had rejected their trajectory, history had rejected their origin, and the city, with its taste for tidy narratives, rejected their ambiguity. Still, the jar kept them safe from neat stories. It held a specimen of refusal, and inside that refusal was a strange, steady beauty—the way the light in you rearranges when you stand too close to something that has fallen from far away.