Sound and Time Kisskhorg Exclusive understands the power of silence. Sound design favors low frequencies: the constant hum of a refrigerator repurposed as white noise, a double bass riff played behind conversation, the clink of ice in glass used as punctuation. Time is elastic within these spaces; evenings are measured in languid courses rather than minutes. Events begin late—when the city has already decided to sleep—and stretch toward dawn, not in debauchery but in attentive continuity.