She was new but not naïve; beautiful but not ornamental; my partner, not a project. Together we built small languages of gestures — a particular look that meant “are you okay?”, a text that read like a poem, a shared recipe with a missing ingredient because we liked the improvisation. In those languages, the future felt less like a remote, uncertain place and more like a kitchen we were gradually arranging: imperfect, warm, and ours.
